Spectrum in concert: the premiere of James Bond thrills at the Royal Albert Hall

This year, James Bond fans have been celebrating the 60th anniversary of the 007 film franchise, with 25 films to date. EON Productions has been organizing special events to mark the milestone, with a number at the Royal Albert Hall. Last month, Dame Shirley Bassey opened The Sound of 007 concert with Diamonds Are Forever and Goldfinger. This was followed by the return of Casino Royale and Skyfall in concert to the historic venue, as well as the premiere of Specter in concert, with a special introduction by Sir Sam Mendes.

Mendes, who directed Skyfall and Spectre, noted that Bond producer Michael G Wilson was in the audience before sharing some amusing tidbits from the production. The highlight of these was revealing the cameo of him in Spectre, which was previously unknown to fans.

The Oscar-winning director brought up the train scene from Specter when Mr. Hinx’s Dave Bautista attacks Craig’s Bond. The silent henchman ends up being tied to barrels that fall off the train by 007. And just before he takes them away, the villain simply says, in what sounds like a French accent, “shit.”

This was thought to be the former wrestler’s only line in the film, but it turns out the voice work was done by the director himself. He promised to stay until that time at least, when the entire Royal Albert Hall erupted in cheers.

READ MORE: James Bond producers ‘lobbied Daniel Craig for Spectre’

Specter may be a more divisive 007 movie among Bond fans, yet getting the same concert treatment as Casino Royale and Skyfall was a joyous occasion for even the casual fan.

The Royal Philharmonic Orchestra breathed new life into the 2015 blockbuster, accompanying it beautifully from the start with Mexican hand drums featured in the Día de los Muertos opening sequence. Other highlights during the live performance included Specter’s opening credits with Sam Smith’s Writing on the Wall and, of course, 007’s bombastic theme played at full blast during the action sequences.

We were even treated to another round of the latter at the end, with trumpets galore, as the orchestra brought Thomas Newman’s score to an epic conclusion. We hope that No Time To Die in concert will be announced soon so that Hans Zimmer can get similar treatment, if not better.

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